My new article in Cultural Geographies on a creative-geographical response to the legacy of concentration camps in the Americas

My co-authored article on an artwork that problematizes the enduring significance of concentration camps for Japanese-descended people throughout the Americas is recently published in Cultural Geographies. The article — Questioning the exceptionality of the exception: Annabel Castro’s ‘Outside in: exile at home’ (2018) in Cuernavaca — can be found here and here. Here’s the abstract:

Annabel Castro’s art installation ‘Outside in: exile at home’ (2018) problematizes indefinite detention at the Hacienda de Temixco, in Morelos, Mexico, a facility which functioned as a concentration camp for Japanese immigrants and their descendants between 1942 and 1945. The Hacienda de Temixco, like other sites for indefinite detention of Japanese-descended people in the Americas, was contingent upon making detainees’ lives intelligible for security action as the embodiment of a ‘crisis’. This essay interprets Castro’s artwork and its premiere in Cuernavaca as a creative-geographical way to engage visitors around relationships between past and contemporary distinction-making processes by which particular groups of people are refigured as threats to national security. To interpret the artwork as a creative practice of geography, we (1) briefly describe the artwork’s historical context and (2) analyze its composition and exhibition in Cuernavaca at a time when activists in Mexico and the United States were articulating a sense of solidarity that exceeds exclusionary constructions of threatened national bodies.

This article emerged from my participation in a 2018 panel in Cuernavaca, Morelos, Mexico, around the opening of the artwork, Outside in: Exile at home (photo above of my remote participation; photo below from the installation itself). The artist, Annabel Castro, is a co-author on this article and therein details her process and choices.

The other co-author, Sergio Hernández, is a historian at the INAH in Mexico City and has written extensively on Japanese immigration in the Americas. A recent essay of his revisits 20th century concentration camps in relation to systemic racism that inheres in the 2020 coronavirus pandemic.

About nicholasjoncrane

Associate Professor of Geography and International Studies at the University of Wyoming
This entry was posted in Aesthetics, Art, Cultural Geography, geografía crítica, History, Mexico, Political Geography, Politics, The Americas, Transnationalism. Bookmark the permalink.

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